Perhaps it's my geeky B.S. English background. She mentions my most favorite poem of all time. And in such a fun, humorous, cute way. Perhaps she mentions old movies I've been watching lately like Streetcar Named Desire
She creates characters who have tensions between each other and they end up loving each other despite themselves. She's got lovable characters in the guise of control freaks and beautiful midget women (really, just a short woman, like so many in my own family). There's a genius fourteen-year-old boy who possesses the art of skillful, intellectual conversation better than a team of engineering cunning linguists (the discussions on Darwin, Robert Frost, and string theory are delicious and precious hearing them from the lens of such a young sprout). Also in the mix is a lying, trickster Coyote-woman you can't help but love in the end... but still so glad you get to see her falling to pieces in tears.
There's a variety of human stages passed through intimately: first love, betrayal, enduring love, untimely death, the beauty of childhood, unconventional trysts, and the surprising unity of relationships despite the foibles that humans all too frequently bring to the table, despite all of our expounded upon evolutionary progress.
She gives her characters all the dimensions to match up to the high literature alluded to in metaphor, and makes this bibliophile delighted to discover upon reading the last page that there's a prequel to this book, even though it stands apart strongly on its own. What a pleasurable delight in reading!